Blog Post

ROUGH Best Music Of The Week #39

  • by CHRIS BOUND
  • 07 Oct, 2022

Music | Review

Abby Nissenbaum – ‘Funeral Processional’

Having already found comparisons to the likes of Phoebe Bridgers and Snail Mail with her rousing offerings so far, Nashville-based singer-songwriter Abby Nissenbaum is back once again with her shimmering new single ‘Funeral Processional’. Lifted from her forthcoming new EP ‘Unreliable Narrator’, her latest gem really pulls on your heartstrings from start to finish.

Chósta – ‘That Object Spoke To Me’

Having already built huge support for his enticing releases these last few years, Irish producer Chósta returns with his atmospheric new release ‘That Object Spoke To Me’. Taken from his upcoming new album ‘Twilight Transmission’, out early next year, his latest cut continues his pursuit of warm and soaring electronic textures throughout.

Venus Dragon – ‘You’

With a reputation for always pushing the boundaries of the alt-pop sound with her enigmatic releases of late, emerging artist Venus Dragon is back once again with her driven new stunner ‘You’. Blending a bold and groove-filled production with her own impactful vocals from start to finish, she has once again offered up another rousing example of her sound so far.

Greyson Chance – ‘My Dying Spirit’

Having maintained himself as one of the most captivating and compelling names on the scene recently, singer-songwriter Greyson Chance has now released his third studio album ‘Palladium’, showcased by the new single ‘My Dying Spirit’. Channelling a sweet and sweeping piano-led aesthetic throughout, his newest delight is another euphoric slice of his songwriting prowess from start to finish.

Emery Kelly – ‘Rebel! Rebel!’

After originally making his name within the Disney boy band Forever In Your Mind, emerging artist Emery Kelly has now looked to break out on his own and deliver the pulsing new stunner ‘Rebel! Rebel!’. Conjuring a heady mix of indie-rock and hip-hop textures throughout, this genre-bending gem will be stuck in your head long after you’ve first heard it.

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